Who Cares

Zaheer Goodman-Bhyat
Co-founder ON_Discourse and Purpose-driven Founder & Award-winning Storyteller @HighMagic.io

One of the major selling points of web3—at least among its most ardent proponents—is decentralization. Blockchain technology enables us to use smart contracts, build bankless assets, trade without friction, and much more. 

Here’s the problem with the way we’re trying to sell web3 to people who aren’t already interested: Who cares? Who really cares about abstract-sounding concepts like identity ownership, bankless assets, and smart contracts?

About Web3?

From the conversations I’ve had with folks on the periphery (or way outside) of web3 spaces, the answer is: not your average person. 

Let’s take decentralized finance as an example. The idea of bankless assets seems incredibly exciting to those of us on the inside of the discussion. Traditional banks fail consumers in many, many ways. Decentralized finance represents the future.

However, the majority of Americans are unable to cover a $1,000 emergency in cash. 

You’re not going to get the average person excited about the idea of bankless assets, because the average person has no assets. Decentralized finance sounds meaningless to a person living paycheck-to-paycheck. 

This is part of crypto’s current image problem. The far-reaching benefits of blockchain technology are exciting when you dig into the details, but the average person struggles to see how those benefits apply to their lives now when it matters to them.

or
What web3
Got Wrong
Mathew Sweezey
Mathew is the former
Co-Founder of the Salesforce Web3 Studio, HBR author, and a Web3 advisor and investor.

The idealism behind these common selling points is good, and it’s something we need to foster (especially in light of scams, cryptocurrency collapses, and other high-profile scandals).

Instead, we need to start leveraging that idealism into creating and pointing out useful tools—not just using web3 projects to do web2 stuff. The more relevant we can make web3 to the average user, the faster we’ll be able to onboard the next 100 million users.

Part of that onboarding is showcasing how the blockchain can make everyone’s lives easier, using examples that people who aren’t interested in speculative finance can understand and relate to.

Take a simple activity, like trying to sell something online.

Under the current model, you might want to list that item on multiple sites to increase the likelihood that someone sees and buys it: eBay, Amazon, Craigslist. In doing so, you face a few risks that most online sellers are all too familiar with.

If two people try to buy it at the same time from different sites, you’re going to have at least one angry shopper on your hands. And there’s a risk that the person who says they’re buying it doesn’t have the money for it. 

A smart contract eliminates those risks. You can list the item wherever you want and the smart contract ensures it can only be sold once. The smart contract checks the buyer’s wallet to make sure they have the assets to buy it. As soon as you scan the item at the UPS store or post office, the smart contract automatically validates the transaction and releases the funds. 

No need to interact with a middleman. No need to monitor all your listings to update information about how much stock you have. No need to worry about scams.

Something this simple is still an enormous benefit of blockchain technology. And you might notice that it includes all the same selling points: decentralization, bankless assets, smart contracts, and frictionless trade. 

Yet it’s an example that is far more likely to be relevant to the average person’s daily life. It’s more comprehensible than the idea of bankless assets on its own and showcases the concrete benefits of blockchain technology—not just the theoretical ones.

Crypto has an image problem, but one of the solutions is fairly simple: Meet people where they are. Show them how the blockchain can make their lives easier now and how it is relevant to their actual experiences. 

Do you agree with this?
Do you disagree or have a completely different perspective?
We’d love to know

What Web3

Got

Wrong

Mathew Sweezey
Mathew is the former Co-Founder of the Salesforce Web3 Studio, HBR author, and a Web3 advisor and investor.

The media cycles surrounding the 2017 ICO explosion and the 2021 NFT craze put the spotlight on web3 and made every CEO ask how their company could be in on the action. We’ve seen the world’s biggest brands, from Starbucks to Nike, invest heavily in web3. But even with the massive media hype and brand activations, web3 hasn’t caught on with the general consumer. 

So what will it take for these technologies to finally find traction? The first is a shift from Asset Class to Experience Layer, and the second is a shift from On-Chain to OmniWeb.  

A shift from Asset Class to Experience Layer

Most consumers only understand web3 through a simple number, and that is generally the price of Bitcoin. Web3 has unleashed a new asset class on the world, which has driven all of its hype to date, and is one of its biggest barriers to mass adoption. 

Most consumers are afraid of crypto. It is hard, complex, and scary. Even when new applications make it easy to ‘on-ramp’ into crypto there is still the radical volatility of the asset class. Beyond these issues is the basic fact that most consumers don’t care about asset classes. 

The focus of web3 as an asset layer is also problematic for brands. Most brands are now holding off on creating web3 tokens (NFTs) due to the unknown regulatory environment. They simply don’t want to be creating assets as that will likely classify them as a financial institution, taking them away from their core business and opening them up to a massive new world of regulation. The tiny market that would even care about these assets doesn’t even come close to justifying the risk of additional regulation. 

A new asset class is good but comes with a large set of issues to drive mass adoption. To reach the masses we have to focus on what they care about. Consumers care about experiences. They want them to be faster, easier, and better. Web3 can do that!

Web3 can create a world where logging in is obsolete. A new study commissioned by Nordpass found the average person has over 100 passwords to remember across their digital lives! Yes, there are password management solutions like Nordpass or Onepassword to make this easier, but those are band-aids to the real problem. Identity is centralized and not extendable. Web3 can easily solve this by leveraging a tokenized identity layer where verified credentials are held by consumers. This could grant them instant access to services and could eliminate the need for logging in altogether, even eliminating the need for downloading the app in the first place. 

This is not a “password solution” but rather a new way of verification. Apps use passwords and usernames as a way of proving you are who you say you are. Tokens can do that. Tokens can prove you are who you say you are, and services can use them rather than making users create a new username and password. Those tokens can also carry data, eliminating the need for the app to store data. Rather the consumers bring their data with them. 

Beyond just being an easier way to log in, web3 can eliminate the need for apps and the creation of new profiles altogether as the tokens themselves can execute functions.

Imagine you have a car token given to you when you purchased the car. Now let’s say you want to do something with your car. From starting it to renting or selling it. Each of those would require at least one other application to be downloaded, a new profile to be set up, then have to manage all of those apps. This is how the web currently works, but in a tokenized (web3) world the tokens can be the applications themselves. 

Progressive brands like Karma have already done this for their high-end electric cars. Each car is given a token, and that token is added to your wallet. You then open the token and execute these functions from there directly. No need to download another app, or sign up for a new service. Want to sell the car? Click a button in the token, put in your terms, and then simply pick where you want to sell the car. All of your information from your terms to the car’s data and history is then sent to those marketplaces, and you interact with them through the token itself. Making selling a car easier, faster, and more trusted as the data is all verified.

The biggest barrier to this kind of implementation of web3 technology is the focus on web3 as a new asset class rather than an infrastructure to help provide better digital experiences.  We have expanded the aperture of how we think about tokens. Tokens are not just assets, they are also stores of data, and enable a new world of frictionless digital experiences to take place.

A shift from On-chain to OmniWeb

Web3, past being a speculative financial asset class, also has another big problem: the blockchain. The blockchain is a powerful database able to solve “double spend,” a potential risk to cryptocurrency in which a user might be able to spend the same digital currency twice. Through consensus mechanisms and the recording of transactions on a ledger, blockchain solves this flaw, enabling blockchain-based systems to be a transaction layer of assets and allowing for crypto to even exist. It’s a big deal! Despite this powerful feature, putting things on-chain comes with many issues that stifle the adoption of web3. 

Putting things on-chain makes transactions public. This is good for solving transparency in financial situations, but it’s bad for a lot of other general use cases. For example, brands don’t want their entire customer database visible to their competition. Additionally, blockchains are not as fast or scaleable as other databases. Blockchains are designed to be a transaction layer, and they are great at that. They are not great at storing a lot of information. So a slow, public, and expensive database has very limited use cases, and most brands and consumers find it too scary to engage. 

Web3 has to embrace a hybrid world where both on-chain and off-chain tokens work together. I call this “omniweb architecture,” where on-chain tokens can be extended via off-chain code and off-chain tokens can be leveraged by on-chain and off-chain applications.

Off-chain tokens, better known as “attestations” are exactly the same as the on-chain token – verifiable, decentralized, trusted, and programmable – however they come with the added benefit of no wallet being needed. They’re also private and are not seen by regulators as an asset. They can unlock the value of web3 with none of the hassles. 

For example, Taylor Swift could issue an off-chain token to all of her fans who follow her on Twitter, Spotify, and have been to a concert in the last year. Smart Token Labs is an Australian web3 startup that I currently advise and which is currently working on this technology. Their CMO Brent Annells believes that fans want new ways to connect. “Fans want to be rewarded for being fans but in a way they value. They don’t want to be paid or have a digital asset they can sell. They want access and to be recognized by the artists as fans,” he said.

Verified fandom allows fans and artists to unlock a new era of fan experience.

With modern web3 technology, there is no digital wallet and no new login required for the fan to receive the credential, just an email. Now the fan can prove anywhere that they are a top fan of Taylor Swift and new experiences can be unlocked. For example, brands can give rewards to fans directly on their site, and ticket sales can now be gated to allow superfans to get first dibs. In both of these situations, the token, not backend databases, is the integration point. This makes new experiences easier and faster to create and allows consumers to derive greater value from their online data. 

Not all things require a blockchain, but all things can be better when leveraging web3 ideas and technology. Off-chain tokens are web3, and a great way to create new experiences that are frictionless while delivering on the core values of interoperability, decentralization, and ownership. For us to drive mass adoption we have to think past just on-chain and look towards an omniweb world.

So where do we go from here?

or
Who Cares
About web3?
Zaheer Goodman-Bhyat
Co-founder ON_Discourse
and Purpose-driven Founder
& Award-winning Storyteller @HighMagic.io

The entire current conversation about web3 is focused on the financial aspects of the technology, and mostly that is simply the token prices of Bitcoin. This limited view is too scary to consumers and brands. When we let web3 fade into the background and leverage it to create better experiences both of those fears go away, and a greater value can emerge. To do this we also have to reduce the complexity of the experience, which means embracing off-chain tokens to expand on these use cases and further reduce consumer friction.

By shifting the focus from web3 as an asset layer to an experience layer, and embracing a wider understanding of web3 technology beyond just the blockchain, we can deliver to consumers truly what they want: a better digital experience.

Do you agree with this?
Do you disagree or have a completely different perspective?
We’d love to know

You’re invited to:

Playing
Business           

An Exclusive
                                           ON_Discourse
                                                                 Members-Only Dinner
           (and After Party)

June 22nd, 2023
Le Maschou, Cannes

Dinner: 7:00 pm- 10:00 pm

After Party: 10:00 pm- 2:00 am

During Cannes LIONS, ON_Discourse will host four days of programming in partnership with Stagwell’s Sport Beach. The week culminates with a private dinner and after-party hosted at Le Maschou. RSVP memberships@ondiscourse.com

Special

Guests

Kyle Martino
Former Professional Soccer Player
Mack Hollins
NFL Athlete
DeShone Kizer
Former NFL QB
Spencer Dinwiddie
NBA Athlete and Entrepreneur

Vanita Krouch
‘23 NFL ProBowl NFC Offensive Coordinator
Diana Flores
Mexican Flag Football Team Quarterback and Captain
James Worthy
TV Commentator and former NBA Athlete
Conrad Anker
American Rock Climber, Mountaineer, and Author

Performance by World Renowned DJ and Entrepreneur MICK

What?

ON_Discourse is a new membership media company focused on the business of technology, raising the level of discourse with expert-driven perspectives.

We provide member-only content for those that crave substance and closed-door events where you can ditch the small talk.

During Cannes Lions, Stagwell’s Sport Beach will bring together creatives, brands, marketers, athletes, coaches and leagues to discuss the future of fandom, and celebrate the impact sport has on shaping global culture.

Why
         Attend?

We are Surrounded
by Fake-experts
_______Lacking Depth
in their Thinking

Ideas in our Industry are
_______Trapped within
Conventional
Boundaries

The People
_______in our Industry
Often Think
_______the Same

Unintended Consequences
_______in Tech Lead to
Costly Mistakes
_______in Business

Can I
     Join?


The ‘Playing Business’ dinner is exclusively for ON_Discourse members. Premier members receive an invite to the dinner, the daily closed-door sessions, and will receive complimentary helicopter flight from Cannes to Nice with our partners BLADE. For more information email memberships@ondiscourse.com

The

Open
Source

AI
Revolution

Dylan Patel
Semiconductor Analyst

In the late 20th century, the technology world witnessed a seismic shift as open-source Linux rose to prominence, challenging the dominance of proprietary operating systems from the era’s tech giants. Today, we are on the cusp of a similar revolution in the realm of AI, as open-source language models gain ground on their closed-source counterparts, such as those developed by Google and OpenAI.

In the 1990s, the UNIX ecosystem was dominated by proprietary solutions from major players like Sun Microsystems, IBM, and HP. These companies had developed sophisticated, high-performance systems tailored to the needs of their customers, and they maintained tight control over the source code and licensing. However, Linux, an open-source operating system created by Linus Torvalds, started gaining traction, ultimately disrupting the market.

The Linux revolution was propelled by three key factors: rapid community-driven innovation, cost-effectiveness, and adaptability. By embracing a decentralized development model built off the x86 personal computer, Linux empowered developers worldwide to contribute to its growth. This allowed it to evolve more quickly than its rivals and adapt to a diverse range of applications. Furthermore, Linux’s open-source nature made it significantly more cost-effective than proprietary alternatives, which relied on expensive licensing fees.

Fast-forward to the present day, and we are witnessing a similar upheaval in the AI landscape. The past two months have seen open-source AI projects such as EleutherAI GPT, Stanford Alpaca, Berkeley Koala, and Vicuna GPT, make rapid strides, closing the gap with closed-source solutions from giants like Google and OpenAI. Open-source AI models have become more customizable, more private, and pound-for-pound more capable than their proprietary counterparts. Their adoption has been fueled by the advent of powerful foundation models like Meta’s LLaMA, which was leaked to the public and triggered a wave of innovation. 

The Linux saga offers important lessons for the AI community, as the similarities between the rise of Linux and the current open-source AI renaissance are striking. Just as Linux thrived on rapid community-driven innovation built off the backs of the x86 PC, open-source AI benefits from a global pool of developers and researchers who build upon each other’s work in a collaborative manner off the backs of gaming GPUs. This results in a breadth-first exploration of the solution space that far outpaces the capabilities of closed-source organizations.

Another parallel is the cost-effectiveness of open-source AI. Techniques such as low-rank adaptation (LoRA) have made it possible to fine-tune models at a fraction of the cost and time previously required. This has lowered the barrier to entry for AI experimentation, allowing individuals with powerful laptops to participate, driving further innovation.

Moreover, open-source AI models are highly adaptable. The same factors that make them cost-effective also make them easy to iterate upon and customize for specific use cases. This flexibility enables open-source AI to cater to niche markets and stay abreast of the latest developments in the field, much like Linux did with diverse applications.

The implications of this open-source AI revolution are profound, especially for closed-source organizations like Google and OpenAI. As the quality gap between proprietary and open-source models continues to shrink, customers will increasingly opt for free, unrestricted alternatives. The experience of proprietary UNIX-based systems in the face of Linux’s rise serves as a stark reminder of the perils of ignoring this trend. In fact, with image generation bots, OpenAI’s Dall-E and Google’s various closed models are barely a point of discussion as the world flocked to open Stable Diffusion models.

To avoid being left behind, closed-source AI organizations must adapt their strategies. Embracing the open-source ecosystem, collaborating with the community, and facilitating third-party integrations are crucial steps. By doing so, these organizations can position themselves as leaders in the AI space, shaping the narrative on cutting-edge ideas and technologies. Companies like Replit, MosaicML, Together.xyz, and Cerebras are doing just that, releasing open-source models, but offering services, finetuning, or operations as a service instead.

The implications of this open-source AI revolution are profound, especially for closed-source organizations like Google and OpenAI. As the quality gap between proprietary and open-source models continues to shrink, customers will increasingly opt for free, unrestricted alternatives.

The flip side of the argument is that this is only possible for a certain model size. There are many emergent behaviors that have only been witnessed on the largest models. While open-source AIs that are an order of magnitude smaller than GPT-3 have already surpassed GPT-3’s quality, this does not necessarily apply to models of the scale of GPT-4 and beyond. With continued scaling in sequence length, parameter count, and training data set sizes, it is possible the gap between open-source and closed-source widens again.

Furthermore, while models are free to use, services that are built on top will still require significant investments. Google, Microsoft, and Meta are able to build these closed-source services for use in people’s everyday lives due to the moat of their platforms. Lastly, the cost of inference is a significant barrier given most consumer devices do not have the horsepower required for models larger than 7 billion parameters (GPT-3 is 175 billion parameters, GPT-4 is over 1 trillion), and it is possible that only the largest organizations can afford to scale their model out to billions of users.

Do you agree with this?
Do you disagree or have a completely different perspective?
We’d love to know

Against AI “art”

Molly Crabapple
Artist and writer in New York City.  Her work was nominated for three Emmys and is in the permanent collection of the Museum of Modern Art.

Like most illustrators, I’ve been horrified by the rise of AI image generators, like Dall-e, Midjourney, and Stable Diffusion. These systems are trained on billions of images obtained without the knowledge, compensation, or consent of their creators, and churn out passable-looking images in seconds, for pennies or for free. Since they are faster and cheaper than any human illustrator can be, these generators threaten to destroy the industry that I have devoted my life to. Worse, they are using our own stolen images against us. My work, like that of many other illustrators, is stored in the LAION-5B database, which billion-dollar corporation Stability AI uses to train their generator. Even more alarmingly, DALL-E, owned by multi-billion dollar Open AI, can create ersatz versions of my work if you type “drawn in the style of Molly Crabapple.”

One might argue that the rise of AI image generators is only a problem for illustrators like me. But what about you, editor, art director, or publisher? Why should you forgo something so convenient? Sure, generative AI threatens mass unemployment for millions of people, far beyond the illustration field, but appeals to ethics and solidarity won’t stop you from using it any more than it stopped you from using Amazon or Uber or AirBnB. You need stronger stuff.

Well, here are some reasons why you should avoid using AI art generators, even if the future of illustrators does not concern you in the slightest.

Reason One:
Lawsuits

There are currently two major lawsuits against the corporations that make the major image generators.

In January, three artists launched a class action lawsuit against Stability AI (the company behind Stable Diffusion), Midjourney and DeviantArt, alleging mass copyright infringement.

In April, stock image company Getty launched another lawsuit against Stability AI for 1.8 trillion dollars for scraping their entire archive (the theft was so obvious that generators spat out images with Getty’s mangled watermark).

Many more lawsuits will undoubtedly follow – especially in the EU, where privacy restrictions are stricter than in the US. Why is this relevant to you?

The terms of service at many generators make users liable for copyright violations in the images they generate. In Midjourney’s words: “If you knowingly infringe someone else’s intellectual property and that costs us money, we’re going to come to find You and collect that money from You.” 

Reason Two: Blowback

I am yet one of many who are strongly opposed to AI art generators. When I co-released an Open Letter calling for their restriction in publishing, thousands of people, from every continent signed – including MSNBC host Chris Hayes, actor John Cusack, and author Naomi Klein. This opposition extends from organized professional groups to unaffiliated art lovers, but it is passionate and it is growing.

One might argue that the rise of AI image generators is only a problem for illustrators like me. But what about you, editor, art director, or publisher?


Any use of AI-generated work is likely to inspire a loud and persistent backlash. Look at Amnesty International, which tried to use photorealistic images from Midjourney to illustrate an article commemorating the second anniversary of Colombia’s national strike. The criticism was so harsh they were forced to pull the images and issue an apology. Entities from Netflix Japan to Amsterdam’s Rijksmuseum to the Bradford Literary Festival have all faced fury for using AI-generated images. The point of the illustration is to make you look good. Why use something that will do the opposite?

Reason Three: Sameness

It’s been mere months since AI art generators exploded, but that’s already long enough for them to have developed certain stylistic tics. There’s the gelatinous smoothness of the skin. Profusion of fingers and teeth. Limbs that go nowhere. Above all, there’s the sameness. An image generator cannot create – it can only spit out pastiches of the art it stole; and if these generators become ubiquitous, the quantity of human art will be dwarfed by oceans of AI-excreted schlock, which the generators will train on and spit out versions of, in an algorithmically-enabled ouroboros of visual mediocrity. 

If you use images from a generator, you are using images that look like the images posted by every other yahoo who uses a generator… including your competitors. You give up the very advantage that art is supposed to give you… the ability to be visually unique.

So there you have it – three unemotional, business-wise reasons why you, my hard-nosed reader, should stay away from AI image generators.

Having defined what I’m against, I now want to talk about what I’m for. Even more than an artist trying to save her field, I am what the digital theorist Douglas Rushkoff calls Team Human – in that I believe that technological developments must be aligned with human values, rather than treated as some sort of manifest destiny, to be imposed upon us regardless of the costs.

While generative AI might be coming for us illustrators, it is coming for you as well. Anyone who translates, writes, sings, codes, conceptualized, or creates is in danger of being chucked out of work by robots trained on their own bodies of work. This also goes for the people, like you, whose job it is to commission us. 

We have one shot to resist Silicon Valley’s plagiarism bots. Let’s take it. 

Do you agree with this?
Do you disagree or have a completely different perspective?
We’d love to know